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Lori Rayne
"The One That Ran Away"
Embargoed until: 6.6.25

Album Art  (1) (1).png
The One That Ran AwayLori Rayne
00:00 / 03:22

LYRICS:

Verse 1:
Well what do you know
The devil knows how to put on a show
But boy I know now
You were nothing but temptation
Something I shouldn’t touch
Should’ve listened when my mama told me
You’re too much


Chorus
Thought I let you slip through my hands
Thought I’d missed my chance
Had that bitter taste
Every time I heard your name
But with time
I found a lesson in your lies
Baby only good ones stay
Thank God you ran away


Verse 2:
I watched you go
Dust flying when you hit the road
Couldn’t give me a reason why
Thought it must have been me at the time
Til it was you and my best friend
The very next weekend
Now I’m over you and over thinking


Chorus
I let you slip through my hands
Thought I’d missed my chance
Had that bitter taste
Every time I heard your name
But with time
I found a lesson in your lies
Baby only good ones stay
Thank God you ran away


Bridge
Seasons changed and now I see
The better man won’t leave x2

Pre-Chorus
You were nothing but temptation
Something I shouldn’t touch
Should’ve listened when my mama told me
You’re too much


Chorus
Thought I let you slip through my hands
Thought I’d missed my chance
Had that bitter taste
Every time I heard your name
But with time
I found a lesson in your lies
Baby only good ones stay
Thank God you ran away

PRODUCTION:

Producer, mix, and master:  Daniel Knittel 

Writers: Victoria Janelle Gater, David Unlayao,Elizabeth Katie Adler

Distribution: Heart Songs Music Group

Publicity: Publicity Nation PR 

ABOUT THE SONG:

Lori Rayne charges into new territory with “The One That Ran Away,” a country alternative track that feels sharp-edged, heavy-laced, and entirely her own. With grinding guitars and a vocal tone that moves between honeyed and hard-cut, Rayne reshapes the genre’s boundaries without blinking.

The opening line — “Well what do you know, the devil knows how to put on a show” — throws a match into the dirt. From the start, there’s no hesitation, no softness. She’s not reflecting on lost love; she’s dragging the truth into daylight and letting it stand on its own.

Rayne’s voice is rich and clear but carries a sting. There’s no pleading, no mourning — only precision. And when the chorus hits, it lands with that rare balance of melody and message:

“Thought I let you slip through my hands / thought I’d missed my chance / had that bitter taste every time I heard your name / but with time I found a lesson in your lies / baby only good ones stay / thank God you ran away.”

That line isn’t an afterthought — it’s the release. She delivers it with the kind of grit that feels lived-in, the kind that can’t be faked.

The production leans in using heavy guitars with a low, rumbling crunch, drums that feel close enough to touch. There’s an alt-rock edge here that doesn’t overpower the country soul; it elevates it. Every sonic choice feels intentional, like Rayne knows exactly where she’s going and how loud she wants the engine.

“The One That Ran Away” isn’t chasing closure. It’s owning the fallout, flipping the story, and moving forward with a raised brow and zero apologies. Rayne doesn’t break from tradition but she bends it, hard.

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